where still the wind comes and blows
like Resurrection’s afterthought.

Night

Inverted canoes stationed along the shore;
Unattended sarcophagi by the boiling foam.

God breathes

Ink-splashes of the Unsaid above the Arabic-scripted sea.

 

Aslan Cohen is a graduate student at the Divinity School.

As the academic year draws to a close, it is time to celebrate the achievements of faculty, guest lecturers, staff, alumni and students. Below you will see what is probably only a sample of their impressive record of publication. Please let us know if we have omitted your achievements – it is important for us to record publications and prizes to encourage our new students, already signing up for next year’s courses. Although Will Boast will be on leave in Rome next year (collectively we struggle against our envy), we’ll be welcoming Chicu Reddy and Jen Scappettone back among us, and soon will announce an extraordinary lineup of events. Enjoy the summer!

John Wilkinson
Chair of Creative Writing

Student Achievements

During her time at UChicago, Asnia Asim’s poems have appeared (or are forthcoming) in the following journals: The Columbia Review, Southern Humanities Review, Quiddity, The Homestead Journal, and Spillway Magazine.

Beca Baca won the John Billings Fiske Poetry Prize for her work titled “One More.” She will pursue her MFA in poetry at Columbia University.

For his essay “Bellas Artes” about Santiago, Chile, Christopher Bello won the Margaret C. Annan Nonfiction Award, which recognizes excellence in creative writing by third-year students in the College.

Xan Belzley won the David Blair McLaughlin Second Prize for her essay “The Misogynist in Me,” demonstrating special skill and sense of form in the writing of English prose.

Dan Cronin won the Janel Mueller Undergraduate Thesis Prize in English and American Literature for his creative nonfiction thesis, “On Drag.” It also won the David Blair McLaughlin First Prize for special skill and sense of form in the essay. Dan has parlayed his thesis into a job assisting documentary filmmaker David France (“How to Survive a Plague”) on his next film, about the history of drag queens.

Emma Dries is now working in the editorial department at Alfred A. Knopf.

Lily Dube won the Elsie Filippi Memorial Prize in Poetry, which is presented each year to a student who shows distinction in poetic composition.

Jenzo DuQue won the Olga and Paul Menn Foundation First Prize, awarded for an original short story or novel, for his piece “In Thin and Particular Flames.” He is also the recipient of the Janel Mueller Undergraduate Thesis Prize in English and American Literature for his B.A. titled “Wherever and Whatever These Clouds Were Before.”

Rebecca Edwards won the Olga and Paul Menn Foundation Second Prize, awarded for an original short story or novel, for her piece “Impeccable Fruit.”

Ellen Goff will be working with Sanford J. Greenburger Associates in New York City, a literary scouting agency that works on behalf of international publishers to see what books in American markets would be good candidates for translation and international sale. She will specifically be working in the Children’s and Young Adult literature branch of the agency.

JanaShaan Heng-Devan was awarded the 2015 Millard Pierce Binyon Memorial Prize for Distinction in Humanistic Pursuits in the College Community. Following graduation, he will be doing Teach for America in Chicago.

Enal Hindi had an essay accepted by Harper’s magazine.

Tote Hughes’s novella Fountain was published by Miami University Press in November 2014.

Kirsten Ihns, who graduated in 2012, has been accepted into the MFA program at Iowa.

Aarti Iyer was accepted into Columbia University’s MFA program in fiction.

For her work “Small Beasts,” Cindy Ji won the Margaret C. Annan Poetry Award, which recognizes excellence in creative writing by third-year students in the College.

Samantha Karas will be moving to Austin in August to pursue an MFA in poetry and screenwriting at the prestigious Michener Center for Writers.

Former MAPH student Eric McMillan published a story in Gulf Coast magazine.

Brian Ng was named a finalist in Cha Magazine’s poetry contest for his piece titled “At My Grandfather’s Funeral.”

Margeaux Perkins will teach creative writing in Hong Kong with a private education consulting firm, ARCH Academy. She was also published this past summer in Encyclopaedia Britannica’s Book of the Year 2014 and on their website.

For her memoir-in-progress about Israel and Palestine, Divinity School student Rebecca Sacks was accepted to the New York State Writers Institute, where she’ll study nonfiction with Phillip Lopate. Rebecca also won full scholarships to this summer’s Bread Loaf Writers’ Conference, where she’ll study nonfiction with Ted Conover, and to the University of Massachusetts Juniper Summer Writing Institute.

Liana Sonenclar won an honorable mention in the Al Blanchard Award for crime fiction; she’ll be attending the conference in November.

Preston (Andrew) Thomas will intern at Jon Shestack Productions in Los Angeles.

For her work “Christmas in April,” Willa Zhang won the Margaret C. Annan Fiction Award, which recognizes excellence in creative writing by third-year students in the College.

Faculty Achievements

Will Boast was awarded the John Guare Writer’s Fund Rome Prize from the American Academy of Arts and Letters. His memoir, Epilogue, is a New York Times bestseller.

Rachel DeWoskin’s novel Blind, published by Penguin in August, was shortlisted by YALSA for Best Fiction of 2014 and selected as a Junior Library Guild 2015 Read. Not only did Sundance Television option her memoir, Foreign Babes in Beijing, in February, they also hired Rachel and her husband, playwright and screenwriter Zayd Dohrn, to write the pilot episode.

David Maclean’s book, The Answer to the Riddle Is Me: A Memoir of Amnesia, was named the Best Memoir in the Midwest by The Society of Midland Authors.

Dan Raeburn finished his memoir, Vessels, and sold it to WW Norton; it will be out in March 2016. He has also been awarded the university’s Janel M. Mueller Award for Excellence in Pedagogy.

WW Norton will publish Vu Tran’s novel, Dragonfish, on August 3. He’ll also be attending the Bread Loaf Writers’ Conference as a Fiction Fellow August 12-22.

John Wilkinson’s poem “Schlummert Ein” appeared in Poetry, and his essay “Drift and Pop: On Reading W.S. Graham” will be in the July/August issue. His paper on lyric, “Repeatable Evanescence” appeared in Thinking Verse, and he edited a special issue of Critical Quarterly on Game of Thrones.

A: A wail of a wub.

Q: What does an organized religion both aspire to and, distinctly, fear?
A: A hale of a hub.

Q: What part does theology play in such an aspiration?

A: A sail of a sub.

Q: What consolation does one resort to?
A: A pail of a pub.

Q: What is religion?

A: A nail of a nub.

Brian Ng is a third-year majoring in Economics and English Literature. He received a Summer Arts grant from the UChicago Arts Council, and is working on a chapbook and a play on security exploits.

2014 was a year when Creative Writing welcomed new full-time faculty in fiction, when our small group of full-time and visiting faculty published a remarkable number of books and chapbooks from distinguished presses, across fiction, non-fiction and poetry; and when extraordinary graduate and undergraduate students also published collections of poetry. We continued to respond to ever-increasing demand for our courses. We saw increasing audiences for readings, especially those supported by our partners in the Logan Center and the Committee on Social Thought. And we completed a great administrative team. Congratulations and thanks to all. And more, much more follows.

John Wilkinson

Chair of Creative Writing

Undergraduate Achievements

Jamie Lauren Keiles published the essay “The Best Time I Vomited After Deleting My Twitter” on The Hairpin.

Angela Qian won the Norman Mailer Award for College Poetry, an award administered by the National Council of Teachers in English.

Recent alum Mae Rice published the essay “Chicago Fear” in The Morning News.

Recent alum Eric Thurm (English/CRWR minor c/o 2014) was recently quoted in a New York Times article.

Student poets Ashley Tran (’15, English) and Hannah O’Grady (’15, English) were awarded the College’s Seidel Scholars PRISM Grant for the summer of 2014. Tran completed a poetry chapbook entitled “Yellow” under the guidance of her mentor, Stephanie Anderson, who is a PhD candidate in the Department of English and teaches poetry writing for the Committee on Creative Writing. O’Grady wrote a series of poems entitled “Adventures in Verse, or What I Learned at the Family Dollar.” Both students presented on their work at the Autumn 2014 PRISM Symposium.

 Graduate and Faculty Achievements

Stephanie Anderson’s latest chapbook, Sentence, Signal, Stain, was published in September by Greying Ghost.

Will Boast’s memoir Epilogue came out in September from W.W. Norton and Company.

Hannah Brooks-Motl’s The New Years came out in May from Rescue Press.

Rachel DeWoskin’s young adult novel Blind came out in August through Viking Juvenile.

Baird Harper won the 2014 Raymond Carver Short Story Fiction Contest. The winning story “Safe, Somewhere” was published by Carve Magazine.

First-year English graduate student Christopher Kempf received a National Endowment for the Arts award in poetry.

David MacLean’s book The Answer to the Riddle is Me was just named one of the Best Books of 2014 by Kirkus Reviews.

Patrick Morrissey’s volume of poetry The Differences came out in October from Pressed Wafer.

Gwen Muren’s Glitch came out in June from Crater Press (Crater 26).

John Wilkinson’s book of poetry Schedule of Unrest came out in September from Salt Publishing.

Student Opportunities

APPLY: Memoryhouse Chapbook Workshop
Submissions deadline: December 22
During winter quarter 2015, Memoryhouse will be hosting its annual chapbook workshop for writers looking to transform their writing into physical art objects. Memoryhouse will provide all of the guidance, tools, and materials you will need to produce your chapbook. The program is free and will consist of four workshops.

CALL FOR SUBMISSIONS: The Mochila Review
Submissions deadline: January 1, 2015
The Mochila Review, the international undergraduate literary magazine published by Missouri Western State University is seeking fiction, nonfiction, poetry, and art submissions for its 2015 issue; we are currently accepting submissions until January 1, 2015.

CALL FOR SUBMISSIONS: Ball State University Digital Literature Review
Submissions deadline: January 5, 2015
For our second issue, entitled “Slavery Now,” the Digital Literature Review will examine the complexity of slavery in a modern context. We welcome original, engaging, scholarly submissions that explore the cultural significance of slavery from the perspective of a wide range of academic disciplines, including criminal justice, philosophy, anthropology, and literary studies. We are accepting original and currently unpublished undergraduate work. For more information, we invite you to visit our journal’s website. Please send submissions to our email, dlr@bsu.edu, by January 5, 2015.

CALL FOR SUBMISSIONS: Ron Offen Prize in Poetry
Submissions deadline: January 7
An opportunity to read alongside Daniel Borzutsky
On Thursday, January 29th, Daniel Borzutzky will read from his latest books, In the Murmurs of the Rotten Carcass Economy (Nightboat, 2015); and The Book of Interfering Bodies (Nightboat, 2011). Any current graduate or undergraduate student at the University of Chicago is eligible. Please submit 3–5 pages of poems to kmobrien@uchicago.edu by Wednesday, January 7, 2015. One student will be selected by Daniel Borzutzky to participate in a featured reading with him on January 29th in the Logan Center. The winning student will also be awarded a $300 prize, which is made possible by the support of the Ron Offen Poetry Prize Fund.

APPLY: The Ashbery Home School 2015 Summer Program
Scholarship application deadline: February 1
August 9-14, 2015
The Ashbery Home School of Hudson, New York is a one-week innovative writing conference that welcomes poets seeking to enhance their practice through a radical consideration of other art forms. Featuring daily workshops, seminars, readings and nightly gatherings, the Ashbery Home School offers writers at all stages of their career an intensive and stimulating engagement with poetry and the arts in a one-of-a-kind historic setting. Five full-tuition scholarships plus stipend will be awarded! Applications received by Dec 15th are free. We encourage all interested participants to apply soon. Contact: ashberyhomeschool@gmail.com

CFP: The North American Review Bicentennial Creative Writing and Literature Conference
June 11-13, 2015
University of Northern Iowa
We are eager to include papers, panels, and roundtables from a wide range of writers and critics. Our keynotes speakers are Martín Espada, Patricia Hampl, and Steven Schwartz. If you have any questions about the conference, feel free to contact the conference director Jeremy Schraffenberger at schraffj@uni.edu.

Vehemence in deity or coalition dearth ensures.
Upon joyful spite all worldly blunder depends.
O optative art, – its slovenly soar, choirboys’ mouths
Drooling past pews of fading alms – access is denied.

Next up, revolutions mark umbra on the screen.
The sketches pile even as the marriage is annulled.
The office has ceased to be Euclidean. So, let hence
Be hence. In profile, the weaker eye is forgiven.

Brian Ng is a third-year majoring in Economics and English Literature. He received a Summer Arts grant from the UChicago Arts Council, and is working on a chapbook and a play on security exploits.

Maisey spent most of the day playing in the moss patches with her friends. They ran up and down the twisted roots that encircled the village, throwing a prayer bead around and singing.

Hey bigfruit hey!
What will you bring for me today?
Hey bigfruit hey!
Fall down from that tree right away!

When they were all tuckered out, Arnold told Maisey he had actually seen a bigfruit once. Penelope said he was lying. Everybody knew that the trees in their grove never grew bigfruit. They didn’t have the right branches.

In the evening, Maisey ate a special birthday dinner with her family – bigfruit, mushrooms and clover. As it got dark out, Maisey’s older brother Patrick brought the firefly inside so the celebration could continue by the pulsating light of its belly. Maisey’s father pushed his toothpaste cap away from the pack of cigarettes and walked over to the living room, hefting something out from behind the plaid curtains. Though he was almost 6 centimeters tall, his teeth gritted as he staggered forward and dropped it onto the cigarette carton with a groan.

“Happy birthday, Maisey!” he said, smiling behind his gruff voice.

His gift was a huge hoop with a diamond welded onto it. The greenish-yellow glow of the firefly was refracted thousands of times in the stone and Maisey watched it fade in and out, completely mesmerized.

“Where did you manage to find this?” Maisey’s mother asked.

“Somebody in the caravan pried open this big fuzzy box and there it was.” Maisey’s father beamed.

“The things you boys bring home when you go looking for bigfruit… Well, Maisey, what do you think of your present?”

The firefly scratched its mandibles while Maisey’s family waited for an answer.

“Why have I never seen a bigfruit tree?” she finally asked.

“They don’t grow around here,” her father answered curtly.

“Why not?” Maisey picked at the last of her clover.

“The trees aren’t good by the village. They’re too high.”

“Will I ever see one?”

Maisey’s mother shot her a look.

“Your mother doesn’t want you joining the caravan.”

“But Patrick got to go last time!”

“That’s different. Patrick has the right disposition for it.”

Patrick got up and opened the ant door. He hadn’t been much for talking lately.

A procession of ants filed into the room and swarmed around the table, clearing every last crumb of food before marching back to their colony.

“Alright, Maisey, it’s past your bedtime. Thank your father for his gift.”

“Thanks, dad.”

“You’re welcome. Now let’s find somewhere to put it in your bedroom.”

They decided to lean the ring against the eastern wall, next to a silver cufflink and just under the laminated ID photo of a greasy-faced businessman.

After her father left the room, Maisey pulled the covers up to her chin and tried to fall asleep. Crickets thundered outside.

In the next room over, she could hear Patrick moaning into his pillow. He probably thought that the crickets and the cardboard walls were enough to muffle the sound. Maisey wondered why her father had put so much faith in Patrick when he had come back from the bigfruit harvest just to mope around. She could be a great asset to the caravan. She just needed the opportunity to prove herself.

Patrick’s moans eventually faded into whimpers and Maisey dreamed of a gigantic tree breaking through the forest canopy. Gemstones and gold pummeling down from its branches every time there was a gust of wind.

A week went by and the villagers were already lining up at the chief’s door to make their requests. Maisey’s father finally caved in and assembled the caravan.

“Let me go,” Maisey begged her mother.

She was braiding Maisey’s hair and now pulled the braids less delicately than before.

“What’s come over you, Maisey? You’ve always been such a sweet girl.”

The villagers were bursting open colorful capsules. Inside each one was a fine powder. Cheering, they threw the powder at the caravan as its members marched around the village.

“I don’t see why I can’t join.”

“It’s not as fun as it looks.”

“I don’t care.”

“Well, I do. I don’t want you losing your innocence at ten years old.”

Arnold was jumping up and down on a Snapple lid and the caravan marched out of the village along to its rhythmic clicking.

“Maisey, get back here!” Her mother shouted as the half-braided hair ripped out of her hands.

She pushed through the crowd and caught up with the caravan, who were now belting out

Hey bigfruit hey!
What will you bring for me today?
Hey bigfruit hey!
Fall down from that tree right away!

A puzzled look spread across the chief’s face as Maisey ran up to him. He stopped waving to his villagers.

“Mom said it was alright for me to go with you guys!” she said breathlessly.

It was clear he didn’t completely buy it. But he shrugged and continued with his pageantry.

Patrick stayed silent as the rest of the caravan sung. Maisey noticed that he looked much older than thirteen now. There was something haunting about his eyes.

Two trees away from the village, the singing died out and everyone became almost as haggard as Patrick.

The forest was silent. The only sound came from the crackling of leaves as the procession of elves clambered over their dips and peaks. Autumn had only come recently, which meant the terrain wasn’t that mountainous yet.

A few hours passed and they came across a jagged line of yellow yarn stretching between the trees.

“You see that, Maisey?” her father asked in a hushed voice. “If we follow that north, we’re bound to find bigfruit.”

“How do you know?” she asked.

“Some bigfruit isn’t sure it wants to ripen. That kind always leaves a trail behind it.”

“What would happen if we followed the yarn south?”

“There’s nothing for us that way. If a trail doesn’t lead to bigfruit, you can be sure it leads to danger. A black wasteland crawling with huge beetles that could kill you in an instant.”

The caravan trudged forward for two days, subsisting on whatever they could find along the way.

No one spoke much, except for the occasional remark about how it was getting colder.

They eventually came to an immense and blindingly orange mound. It was wedged between two gnarled trees.

“Bigfruit?” Maisey asked.

“Yes,” someone behind her whispered.

There was a loud rustling inside it. Maisey’s father knelt down on one knee and turned to her.

“Now, we wait.”

When the sun was almost as orange as the mound in front of them, they could hear a piercing vinyl shriek. A hand thrust out of the unzipped wall and then another. Soon, some kind of creature pulled itself out.

As it stood upright, Maisey realized that it looked just like an elf, except hundreds of centimeters tall. It had jet black hair, thinning at the top of its head, and a stained white shirt. The giant held a thick rope, meticulously tied into a loop at one end and dangling limp at the other. It looked up at the sun and down at the ground. It then walked over to a tree and squatted by its roots. For a good five minutes, it cupped its hands around its nose and rocked back and forth, almost as if it was hoping to lose balance. Finally, it wiped its eyes and stood back up. It stepped onto the roots of the tree and tossed one end of the rope over a branch. It slid the looped end along the branch and tied the other end many times around the trunk of the tree. It kicked its shoes off and put the noose over its head.

The bigfruit swayed like a pendulum for a long time. The caravan waited until it was motionless before they walked towards the tent.

The chief put his arm on Maisey’s shoulder. “We’ve all had our doubts. If there was another way of doing things, believe me that we would do it. But this brings us civilization. Taking advantage of them is what separates us from the insects. You understand that, don’t you?”

“Yes.”

After the caravan came back, Maisey spent most of the day playing in the moss patches with her friends. They ran up and down the twisted roots that encircled the village, kicking a green Monopoly house around and singing.

Hey bigfruit hey!
What will you bring for me today?
Hey bigfruit hey!
Fall down from that tree right away!

Alex Filipowicz is a fourth year undergraduate English major who is currently working on a Creative BA in Fiction. He is a first-generation American born and raised in Chicago. His mother is Polish and his father is ethnically Ukrainian but grew up in Venezuela. He helps run two creative writing RSOs on campus: Drinkers with a Writing Problem and The University of Chicago Humor Magazine. Last summer, he attended an eight-week fiction course at the Iowa Writers’ Workshop. His interests include punk rock, surrealism, and Studio Ghibli films.

This poem is reprinted with permission from Matter.

Christopher Kempf is a Ph.D. student in English Literature at the University of Chicago.  A former Stegner Fellow in Poetry at Stanford University, his poetry and essays have appeared most recently in Gulf Coast, Jacobin, Kenyon Review, The New Inquiry, and The New Republic, among other places.  He received his MFA from Cornell University. Read more of his work at   christopherkempf.tumblr.com.

 

my grandfather stands behind me—

his brittle palms on my shoulders,

birthing a scene I will never witness.

Through each rasp he swings his arms,

cutting air in dry arcs, with his poison so tender

that I can’t grasp how my father

could resist such a performance.

And how I, at the ripe age

of carefree, manage a sighing surrender

under the weight of our history.

I have half my father’s years,

but twice my father’s fears in my follicles.

His first job he cut his hand for three dollars and sixty jiffies,

still his boss wouldn’t sweat the damage.

Heal with it, he said.

In New York, Dad couldn’t read

but spoke a sentence the length

of his strides across the desert highway.

“Window seat, no-smoking.”

Even then, on a plane with no money

nicotine had its price.

Yet I’ve the entire English language at my disposal

and still no vocal chords.

Porcelain I’s dotted neat spill from my teeth,

I speak white

—beneath, my R’s are rolled,

my thighs are pulled pork; I can’t coagulate.

Only smoke puts my Indian knees at ease; I’m short of death,

Searching for words in this foreign tongue and ancestral breath.